Photos removed by request of photographer.

But still on 12chan

Born in 1950, Bernard Faucon created his photographic oeuvre between 1976 and 1995. It is one of the most original and important bodies of work of the late 20th century. Often exhibited, reproduced, borrowed, and collected, Faucon’s work, paradoxically, remains little known, and its place in contemporary creation is still ill defined. This is due as much to its singularity, it is a poetic, metaphysical, highly personal body of work, as to the diverse group inspired by it, from the most classic and orthodox in the photographic world to avant-garde artists, as well as novelist, directors, psychoanalysts, Japanese fashion designers.

Over the past 25 years, Bernard Faucon has shown in nearly 250 solo exhibitions and as many group shows, from Leo Castelli in New York City to Yvon Lambert in Paris, in large museums as well as small institutions, because Bernard Faucon says "yes" more easily than "no". It seems important today, ten years after the voluntary interruption of his work, to present it in its entirety, to reveal the rigor and logic behind the surprising innovation of his metamorphoses. His themes and obsessions evolve with an economy of means that increases up until the last series, entitled La fin de l’image (The end of the image): an intentional and decisive closure from which Bernard Faucon has not returned

Robert Stadtober in Schwarze Schafe

Or: Why I love Sweden!

Photos by Lovestyle

Lovely Boots. And cute how his friend on the left got a necklace too, I guess he felt underdressed.
I made this photo when I sat in the grass with Soja and had a veggie-burger with some white cocoa ^^,

Photos by ehm.cz

From the FAQ at the photographers site:

Why are you posting all those pictures and videos free of charge? Isn’t it great feeling to do something for other person expecting nothing in return? There are many great things in the computer world made for everybody for free use. Like Linux for example, great operating system, which can’t be matched by Windows. OpenOffice, equivalent of Microsoft Office can be next example. VirtualDub, a great video processing tool, which I used for creating of my recent videos, is also free. And you know what? These programs are actually better, faster and more reliable than their commercial correspondents. How is that possible? How can be free thing better than that you pay for? Answer is simple: because it is made by people who made them with people in mind, not money. These softwares were and still are being made by hundreds and thousands of people who work hard to help YOU. Do you feel the power of this idea? I do and I want to be part of it. – ehm.cz

Isn’t that nice? ;o)

UPDATE: The photographer of these photos don’t want his photos to be posted here in an expedient resolution. So I decided to take down all but one. One would imagine a photographer is happy to see one high-res photo to be posted for the free promotion he gets for it but well… it’s his personal right to decide that. Seems like you have to pay him 240 $ if you want to see Felix in high resolution.  At least the parents of his models seem to be very progressive since they have to know that not many people without interest in boys wouldn’t pay that much for a few photos ;) (Comments are closed by the way to prevent further trading of the photos, sorry about that but you know… the legal stuff.)

Found at le blog de Bernard Alapetite

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TRAP - Slang, generated from 4chan and ytmnd, the term is used to describe an individual whose appearance is that of a very attractive female, yet in reality, it is a male. Synonymous with transvestite, tranny, toss-up, crossdresser, and others. Usually, traps fooling unsuspecting teens into fucking them. However when the pants come off, the unsuspecting teens freak out. — Urban Dictionary

Izzy Hilton a.k.a. Mortuary Beauticians

More at Chansluts (some with less clothes too ^^)

Found at Inkplum (which will be back this month, yes xD)

In January 2004, while the French government was debating banning religious and political symbols from schools, Catherine Balet began taking pictures of signs, labels, codes and icons that have social and aesthetic significance in the teenage world. As she extended that project from Paris to London, Berlin, Barcelona and Milan, it quickly became a record of the dress codes in European schools, a reference work on tribal subdivisions there. Teenagers in their struggle for identity and self-esteem, troubled by an urgent desire to be different, usually adopt the codes of a group, often inspired by music trends and always tweaked by circumstance, conscious individuation or both. In each city, Balet discovered the same music, fashion, brands, bands and labels. Only the details differed, reflecting the complexity of the history of each country or the influence of its migrant populations. In London and Barcelona, where the uniform is a school institution, details are all that students have by which to define themselves: Balet captures the way’s in which these students customize their outfits. Her large, richly descriptive portraits, set in the street, combine documentary style with poetic sensibility, capturing the complex mix of youth and age inherent to adolescence, its fragility and determination, and the era’s new mix of global homogenization and local individuation.

You can buy “Identity” here

Part 1 | His MySpace Profile | His Stickam Profile | His Uber Profile